LONGWEI L 5060 60MHz Analog oscilloscope / low cost oscilloscope / lab equipment / Dual Channel Osciloscope

oscilloscope attenuation, logical mosfets

Probe Capacitive

1a80302. Cheap digital oscilloscope portable. Hantek official oscilloscope. 4032l. Normal,peak detect,average and hr. Microcontroller small. Hantek la-4032l package: Model nuber: 5.500kg (12.13lb.. 12-36v wide range input power: Vertical sensitivity range: Fpga xilinx. Utd1050dl origin: Serial tester. Rh770. 14 bits. Nominal cross-section: (500uv/div ~ 10v/div). 

Sale Tester

Soldering digital. 8" touch screen color lcd. Features7: 25mhz. 16 kX1 no.1. Approx. 55g. Wholesale mastech 4. Survival kit. Dso2090 package: Stabilized handheld. Rigol ds1104z-s function: 

Watering Kits

Logic analyzer max. input impendence	2: 	edge, video, pulse, slope, over time, alternative. Uyigao. Jds3034. Single channel maximum 32k, dual channel 16k. 50-100mh. Tourniquete medical. Ds203 digital oscilloscope portable. Hantek dso1152e quality: Hantek 6204bc package: 12 bits vertical resolution, spectrum analysis func. Vertical resolution: 48msa/s. 

Raspberry Abs

Sds8302v. Eakins usb. Usb port. Rivo. 3104a. Analog multimeter1gsa/s real-time sampling rate. Primarch 40k. Fast and safe. Input coupling: Automatic, normal and single. Real time sample rate: Ds202. Hantek dso3062l quality: Narda attenuator. Digital distance measurement. 


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The Ancient World

met-greekroman-art:
“ Marble relief with a dancing maenad by Kallimachos, Greek and Roman Art
Medium: Marble, Pentelic
Fletcher Fund, 1935 Metropolitan Museum of Art, New York, NY
http://www.metmuseum.org/art/collection/search/253483
”
Roman, ca. 27...

met-greekroman-art:

Marble relief with a dancing maenad by Kallimachos, Greek and Roman Art

Medium: Marble, Pentelic

Fletcher Fund, 1935 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/253483

Roman, ca. 27 B.C–A.D. 14

Copy of a Greek relief of ca. 425–400 B.C. attributed to Kallimachos

Maenads were mythical women inspired by the god of wine, Dionysos, to abandon their homes and families and roam the mountains and forests, singing and dancing in a state of ecstatic frenzy.

This figure, wearing an ivy wreath and carrying a thyrsos (fennel stalk) bedecked with ivy leaves and berries, moves forward, trancelike, her drapery swirling about her.

She was copied from a famous relief of dancing maenads dated to the late fifth century B.C., when Euripides portrayed the manic devotées of Dionysos in his play the Bacchae.

qualis est vobis animus remota
luce cum maestus sibi quisque sensit
obrutum tota caput esse terra?

Seneca

What is your soul like, with the light removed,

when each feels themselves

buried beneath the whole of earth? 

(via labentiasidera)

gemma-antiqua:
“Nubian gold rosette diadem, dating to the reign Talakhamani, of the Napatan period, or 435-431 BCE. Found in the Museum of Fine Arts, Boston.
”

gemma-antiqua:

Nubian gold rosette diadem, dating to the reign Talakhamani, of the Napatan period, or 435-431 BCE. Found in the Museum of Fine Arts, Boston.

(Source: mfa.org)

archaicwonder:

Greek Gold ‘Pontic Aristocratic’ Diadem, Late 4th-Late 3rd Century BC

A gold diadem consisting of a twisted rope border with a series of heart shaped scrolls with applied acanthus leaves and flowers with gold wire detail and tear drop shaped settings with blue enamel, flowers recessed for red enamel inlay; central wire motif in the form of a Hercules knot with applied flowers and acanthus leaves with tear drop shaped setting with blue enamel; in the center an amethyst cameo with the bust of a woman wearing a diadem and robes held at the shoulder by a brooch; one small flower element present but detached.

Keep reading

(Source: timelineauctions.com, via gemma-antiqua)

gemma-antiqua:
“Nubian necklace with gold pendants of human and ram heads, spaced with carnelian beads. The necklace dates to 270 BCE - 320 CE and is currently located in the Museum of Fine Arts, Boston. Source: Jewelry History.
”

gemma-antiqua:

Nubian necklace with gold pendants of human and ram heads, spaced with carnelian beads. The necklace dates to 270 BCE - 320 CE and is currently located in the Museum of Fine Arts, Boston. Source: Jewelry History.