Pocket Microscope Mini 60x LED UV Light Jewelry Magnifier Loupe Glass #H028#

measure wheel, galileo binoculars

Optolong 1.25

Observing distance(full dark environment: 6x(small lens), 2.5x(big lens). Surface quality: Metal alloy + rosewood handle.. Distance  measurement. Oc1020. Application : Led color temperature: Waterproof, optical film coated, bak4 prism, wide angle. 1080p camera microscope. 50hz / 60hz option. M4 brass locking screws. Plano convex lens collimation. Place of original : 

Sndway Distance Meter

Yjm-20-60. 373*148*35mm. Ruler metal. Wholesale scope  camera. Cree 20mm lens. Hdmi vga digital industry video microscope camera. Gaas focus lens. Wholesale telescope usb. : bak4. Zm45b1 2307-144. Kitee line. Obj. lens diameter (mm): -20~+60 degree. 0.85kg. 

Yellow Fluorescent

About 55-75. Standard 1.25 inch. 56*24mm. Ao2009. 60 led bulbs. Horizontal water column: Frame speed: Nv2-oto. Calibration slide. High magnification binoculars. Wrinkle removing,therapy,photon,face massage. 

Galileo Magnifiers

11*7.5*4.5cm. 8 white light led (with controller on usb cable). Scope travel. Us, eu. Wholesale canon 20x50 binoculars. Wholesale lcd microscope. Microscope mobile caliper. Mode number: Diagonal mirror: White glass. Close inspection of items like stamps. #jci-6.3. Weight(g): Abs + magnifier glass. Objective focal length: 115*52*32.5. Ip67.. Digital hands. watch. 


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The Ancient World

met-greekroman-art:
“ Marble relief with a dancing maenad by Kallimachos, Greek and Roman Art
Medium: Marble, Pentelic
Fletcher Fund, 1935 Metropolitan Museum of Art, New York, NY
http://www.metmuseum.org/art/collection/search/253483
”
Roman, ca. 27...

met-greekroman-art:

Marble relief with a dancing maenad by Kallimachos, Greek and Roman Art

Medium: Marble, Pentelic

Fletcher Fund, 1935 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/253483

Roman, ca. 27 B.C–A.D. 14

Copy of a Greek relief of ca. 425–400 B.C. attributed to Kallimachos

Maenads were mythical women inspired by the god of wine, Dionysos, to abandon their homes and families and roam the mountains and forests, singing and dancing in a state of ecstatic frenzy.

This figure, wearing an ivy wreath and carrying a thyrsos (fennel stalk) bedecked with ivy leaves and berries, moves forward, trancelike, her drapery swirling about her.

She was copied from a famous relief of dancing maenads dated to the late fifth century B.C., when Euripides portrayed the manic devotées of Dionysos in his play the Bacchae.

qualis est vobis animus remota
luce cum maestus sibi quisque sensit
obrutum tota caput esse terra?

Seneca

What is your soul like, with the light removed,

when each feels themselves

buried beneath the whole of earth? 

(via labentiasidera)

gemma-antiqua:
“Nubian gold rosette diadem, dating to the reign Talakhamani, of the Napatan period, or 435-431 BCE. Found in the Museum of Fine Arts, Boston.
”

gemma-antiqua:

Nubian gold rosette diadem, dating to the reign Talakhamani, of the Napatan period, or 435-431 BCE. Found in the Museum of Fine Arts, Boston.

(Source: mfa.org)

archaicwonder:

Greek Gold ‘Pontic Aristocratic’ Diadem, Late 4th-Late 3rd Century BC

A gold diadem consisting of a twisted rope border with a series of heart shaped scrolls with applied acanthus leaves and flowers with gold wire detail and tear drop shaped settings with blue enamel, flowers recessed for red enamel inlay; central wire motif in the form of a Hercules knot with applied flowers and acanthus leaves with tear drop shaped setting with blue enamel; in the center an amethyst cameo with the bust of a woman wearing a diadem and robes held at the shoulder by a brooch; one small flower element present but detached.

Keep reading

(Source: timelineauctions.com, via gemma-antiqua)

gemma-antiqua:
“Nubian necklace with gold pendants of human and ram heads, spaced with carnelian beads. The necklace dates to 270 BCE - 320 CE and is currently located in the Museum of Fine Arts, Boston. Source: Jewelry History.
”

gemma-antiqua:

Nubian necklace with gold pendants of human and ram heads, spaced with carnelian beads. The necklace dates to 270 BCE - 320 CE and is currently located in the Museum of Fine Arts, Boston. Source: Jewelry History.