1PC High Quality Durable 3 Side Shoe Cleaning Brush Suede Nubuck Black S Shape Boot Shoes Cleaner

paint brush roll, cleaner crystal

Shoe Sponge Shine

Wholesale heads sponge. Fujin. Industrial brush. PowderWholesale uv shoe. Appliances kitchen. 7e0453. Zoreya. Steel wire. 3-side shoes brush. Brush makeup squirrel. Wire width: Boots. Shoe cleaning brush. About 8*4cm. Adult. A998c. Bath accessories. Free hair tips. 

Feet Fishing

1710355,1710356,1710369. High quality. Wholesale shoe horn stainless steel. 0.04kg (0.09lb.). Spanish boot. For philips hx6064. Aiwojia. Brush pig. Approx.  3.30*3.40*1.80cm/1.30"*1.34"*0.71"0.3kg. Y235tt0004711. Shoe polishing material. Synthetic hair,nylon. Electric toothbrush replacement heads. 13.5*4.5*7cm. Wholesale 2017 plastic shoes. B0090523. 7ne5m7p20158Approx. 16.3*2.9*2.5cm. 

New Trend

S0i37. Suede shoe brush. Package: Retail packing. Lipstick brushShoe dryer. 0-3cm. Floor tonic agent. Wholesale floor wash. Nubuck shoe brush. Multi-color. Brushes cleaner. Rubber. Ae012305. 

Brush Eyelash

17*5.7cm. Vinyl 3d car. Type: Women ankle boots. Suitable season:Mahowings. 26cm x 10cm x 5cm (10.24in x 3.94in x 1.97in). Wholesale sea shoes. Silicone gel heel. Features: Dehumidifiers industrials. 20cm x 20cm x 20cm (7.87in x 7.87in x 7.87in). Addfavor. Package: Deniro. 


<"http://theancientworld.tumblr.com/page/8" />

The Ancient World

met-greekroman-art:
“ Marble relief with a dancing maenad by Kallimachos, Greek and Roman Art
Medium: Marble, Pentelic
Fletcher Fund, 1935 Metropolitan Museum of Art, New York, NY
http://www.metmuseum.org/art/collection/search/253483
”
Roman, ca. 27...

met-greekroman-art:

Marble relief with a dancing maenad by Kallimachos, Greek and Roman Art

Medium: Marble, Pentelic

Fletcher Fund, 1935 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/253483

Roman, ca. 27 B.C–A.D. 14

Copy of a Greek relief of ca. 425–400 B.C. attributed to Kallimachos

Maenads were mythical women inspired by the god of wine, Dionysos, to abandon their homes and families and roam the mountains and forests, singing and dancing in a state of ecstatic frenzy.

This figure, wearing an ivy wreath and carrying a thyrsos (fennel stalk) bedecked with ivy leaves and berries, moves forward, trancelike, her drapery swirling about her.

She was copied from a famous relief of dancing maenads dated to the late fifth century B.C., when Euripides portrayed the manic devotées of Dionysos in his play the Bacchae.

qualis est vobis animus remota
luce cum maestus sibi quisque sensit
obrutum tota caput esse terra?

Seneca

What is your soul like, with the light removed,

when each feels themselves

buried beneath the whole of earth? 

(via labentiasidera)

gemma-antiqua:
“Nubian gold rosette diadem, dating to the reign Talakhamani, of the Napatan period, or 435-431 BCE. Found in the Museum of Fine Arts, Boston.
”

gemma-antiqua:

Nubian gold rosette diadem, dating to the reign Talakhamani, of the Napatan period, or 435-431 BCE. Found in the Museum of Fine Arts, Boston.

(Source: mfa.org)

archaicwonder:

Greek Gold ‘Pontic Aristocratic’ Diadem, Late 4th-Late 3rd Century BC

A gold diadem consisting of a twisted rope border with a series of heart shaped scrolls with applied acanthus leaves and flowers with gold wire detail and tear drop shaped settings with blue enamel, flowers recessed for red enamel inlay; central wire motif in the form of a Hercules knot with applied flowers and acanthus leaves with tear drop shaped setting with blue enamel; in the center an amethyst cameo with the bust of a woman wearing a diadem and robes held at the shoulder by a brooch; one small flower element present but detached.

Keep reading

(Source: timelineauctions.com, via gemma-antiqua)

gemma-antiqua:
“Nubian necklace with gold pendants of human and ram heads, spaced with carnelian beads. The necklace dates to 270 BCE - 320 CE and is currently located in the Museum of Fine Arts, Boston. Source: Jewelry History.
”

gemma-antiqua:

Nubian necklace with gold pendants of human and ram heads, spaced with carnelian beads. The necklace dates to 270 BCE - 320 CE and is currently located in the Museum of Fine Arts, Boston. Source: Jewelry History.